“Hyld Studio - Casting the Mind”

Magazine feature for Hyld Studios providing a first-hand introduction to fishing and an essay written by Victor Lindholm

“Like a wary trout approaching a dry fly, fishing is inching its way towards the fashion zeitgeist. It's an activity we've alluded to sporadically over the past ten issues — and one we've confidently predicted would become the next cool outdoor pursuit for the best part of five years - yet, somehow, it's still not quite broken the surface. 

I've been quietly fascinated by fishing for as long as I can remember. And yet, until a fortnight ago, I’d never held a rod. I think part of the reason I’d always admired it from afar is that fishing is intimidating. Not because of the people who do it, nor even the act itself - but because of how much there is to know. Unlike other outdoor hobbies, you can’t just grab a rod and head to the nearest body of water. 

What kind of rod are you going to use? What kind of fishing do you want to do? What bait should you use? Is it even open season? What fish spawn there - and when? 

These are the sorts of questions I’ve been asking myself over the past two weeks, spiraling down Reddit threads and losing hours to YouTube angling guides in the process. Eventually, after several days of obsessive reading, watching, and note-taking, I finally plucked up the courage to cycle down to one of Manchester’s many canals - the kind of spot where I’d seen anglers loitering in their polarised sunglasses, heads bowed in quiet concentration. 

I bought my 24-hour rod licence, applied for my Salford Friendly Anglers Association permit, and turned up with a £25 float setup purchased from my nearest tackle shop. After a good half hour of bumbling with line, split shot and premade hooks I settled into position for three hours of pure, uninterrupted canal-side waiting. At the end of it, the same piece of sweetcorn remained on my hook. I caught nothing. And loved it. 

I cycled home in the pissing rain with a smile affixed to my face. I can’t remember the last time I sat still for that long without a single distraction. It felt like a mental reset – what the pursuit lacked in fish was made up for tenfold in mental relaxation. And this was on a canal that was anything but picturesque; I spent most of the afternoon casting around rusted trolleys and shattered bottles of Becks. I can only imagine how potent the experience might be somewhere far from the hustle and bustle of a city. 

I’m in for life now (well, for the next 365 days), and I’ve still got everything to learn. What began as an excuse to wear GORE-TEX wading jackets and long-billed caps has rapidly morphed into a full-blown obsession. And hopefully, at some point, I might even catch a fish. 

So perhaps the reason fishing hasn’t quite infiltrated fashion’s upper atmosphere is precisely because it demands such commitment. You really, truly have to want to go fishing to actually go fishing. Listening to a bloke from Yorkshire slowly explain the intricacies of summer groundbait is a gruelling experience if you're not already hooked. My girlfriend can confirm as much. 

But who knows - perhaps one day we’ll all be commuting to work with a fly rod in one hand and a landing net in the other. If we are, it’ll be thanks to more people recognising the knowledge, skill and joy that fishing offers. People like Victor Boy Lindholm – a wildly stylish Norwegian angler who really knows what he’s doing and really loves it. 

Victor recently collaborated with Hyld Studio on an editorial for Polyver of Sweden – a North-Swedish brand who is revered for their technology to keep peoples’ feet warm and dry regardless of the activity 

Everyone has their own reasons for falling in love with fishing, and Victor’s are beautifully set out in the essay below. Rest assured, it’s far more eloquent than the ramblings you've just had to sit through…”

“When I tell others who don't fish that I'm going again, I'm often met with a profound bafflement at how I can be bothered. What is it that exists out there that makes me go again and again? It has to do with suspense, of course. I find a fundamental sense of expectation in trying to catch a fish, but it especially has to do with being in another place. It's unnecessary to fish; it's unproductive and inefficient. There are a number of better methods for getting food with fins on the table. And that's probably part of the point. It feels right to stride through the hills along the coast while I should really be working. Fishing is a space for doing something else. It's a space for being alone and being with others who share the obsession. It's a place where I don't have to explain myself.

Fishing is about waiting; it's about believing that what you want to happen will happen. To an onlooker, it probably looks like nothing ever happens until the fish takes the bait. But that's wrong. To many anglers, the end goal is, of course, to catch a fish, but to do that, one must activate a set of skills that need to be constantly in motion. I'm never more focused than when I'm fishing. I'm completely engrossed in what I'm doing, and by that I mean reading the water. What's the current like? Is the water clear? Is it warm? But also the direction of the wind, whether it's possible to see fish. After that, it's about technique: casting, choosing the right lure or the best fly for the day. Preparation is a large part of it: checking the weather report the day before and right before going, considering different spots, and preparing the gear. Arriving at the spot, seeing a fish and casting the rod, waiting for the moment when it pounces, and then still failing. Because most of the time, I don't actually catch any fish.

Fishing is also about connecting to a landscape. But what kind? In Denmark, it means a completely transformed, cultivated nature, one that can be described as a kind of ruin where life continues in spite. A series of landscape ruins where, on the other hand, new potentials for life continuously emerge, new troublesome connections which were previously unthinkable. Connecting to that type of landscape, species, and lives requires a willingness to stay in the trouble, as the American thinker Donna Haraway put it. Being willing to stare into the nuances together with all the beautiful things, all the violence. It requires abandoning the idea of the human being as an independent individual; indeed, it requires realizing that we're a species which depends on other species. Staying in the trouble requires not falling back on an idea of a golden past and a terrible future, but instead staying to tell stories of a damaged earth and finding out where life is possible to revive, restore, and repeat.

I say this without irony: we live in a time where we need to relearn to hope. We need to hope that we can do things differently than we did before. This requires teaching ourselves new things, new ways of looking at the world. It also requires acceptance of the fact that even if we learn and master these things, there's no guarantee of success on the first try. But we may succeed if we persist. There is hope in the smallest actions.”

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